The whiz of harried traffic on Martin Luther King Boulevard belies the quiet, funky commune tucked behind pencil-shaped fence pickets. The morning sun bathes the property in a rosy glow. Birds chirp, wind chimes tinkle gently in the breeze and artists – as a sign near the entrance reads – are already at play. 

Despite its name, the Old Chicken Farm Art Center is home to nearly a dozen people – not chickens or farm animals, and nearly two dozen artists work there on any given day. Co-owner and artist Roger Allen bought the property and opened it in 1971 with the vision of creating a haven where fellow artists could work and live. Fast-forward 47 years and the art center is everything he imagined – and more. 

“I had a lot of people tell me I was crazy buying it,” Allen said. With a laugh he added, “Forty years later, I figured out they were right.” 

 Allen grew up in Lubbock. At Texas Tech, he studied electrical engineering, then switched his major to architecture before finally settling on art education. He got a call that an art teacher was being sought for Central High School. Despite never having heard of San Angelo, Allen took the job and began teaching at Central in 1967. 

“When you’re teaching, you have time to go home and do stuff,” Allen said. Like any true artist, he doodled on a notepad as he spoke; dates, names, and compass symbols bloomed on white scrap paper. 

“We’d work on the Chicken Farm until dark, until you couldn’t see the nail heads,” he recalled. “Then we’d go in and throw a pot till late and do it again. You find out you can sell some of it occasionally. And then you’re going to shows.” 

In 1977, Allen left teaching to focus on the Chicken Farm and his art. Eventually, his name became synonymous with the brightly-colored, whimsical pottery he creates. The Starkeeper Gallery is Southwestern with a distinct flair: a black stilted silhouette reaching for the stars, set against a bold-colored sky. The Big Ass Dancer series also features Allen’s signature vivid palette, juxtaposed with a curvaceous female form in motion. 

In the 1980s, after nearly working himself to death, Allen sold the back half of the Chicken Farm. It eventually changed hands again when Jerry Warnell, a friend of Allen’s, and his wife, purchased it. Warnell, who was looking for a change of pace from his hectic career managing golf resorts, also moved in to the Chicken Farm, where Allen and his wife, Pam Bladine, live.  

When I approached Warnell for our interview, he was outside unloading plants from the bed of his pickup. “It’s spring,” he said, by way of explanation.  

Warnell is the Chicken Farm’s handyman, and on a 60-year old property, there’s always work to be done, he said. He’s also in charge of the Inn at the Art Center, a bed and breakfast comprised of four rooms, one of which encircles the top floor of two old grain silos. Warnell also owns Silo House Restaurant, a quaint, intimate space on the bottom level that he leases to Helen and Craig Keith. 

Keith runs Silo House with her husband, her brother, daughter and mother. Previously known for its fine dining, the restaurant’s dinner menu will soon change, with more vegetarian and gluten-free options. “We’re going a lot more casual, more family-friendly,” she said. 

 Silo House is also moving away from its tradition of requiring reservations, she said, but parties of five or more are still encouraged to call ahead due to the restaurant’s capacity to seat just 39 people at a time. 

“I like to say it’s probably the only restaurant in town where you can have dinner and have a conversation with someone across from you because it’s not noisy,” Warnell said.  

Between the bed and breakfast, the restaurant and shopping available at 17 artist studios, the Chicken Farm easily hosts thousands of people each year. “We can have 1,000 people come through just on First Saturday,” Warnell said, referring to the art center’s monthly event in which artists’ studios are open, artist vendors showcase their wares outside, and live music plays. “Our three-day event over Thanksgiving can have as many as 5,000.” 

The goal, Warnell said, is that everybody has a great time. “We want to make sure everybody that comes out here goes, ‘Hey, that was a neat experience!’” he said.  

The Chicken Farm is the only commercial operation that’s been on Rand McNally maps, Warnell said, adding that it’s also been featured in Texas Highways magazine multiple times, Texas Monthly, and various other publications. Trip Advisor ranks it the No. 4 tourist attraction in San Angelo, he said.  

“We are unique,” he said. “There aren’t many places like this left in the country. We’re slowly becoming more and more recognized as an art center, a place where people can come and be educated, see a lot of artists’ work, go to classes.” 

With a laugh, he added, “We still have a very devoted following of people who probably were all students of Roger’s.” 

It only takes a brief visit to understand why artists feel at home at the Chicken Farm. It’s a three-acre refuge from the outside world where art, it seems, has found its way into every nook and cranny – from the nine buildings that punctuate the property, each awash in vivid shades; to the picnic table surrounded on three sides by a 1-foot wall of mosaic tiles; to the collection of etched stone work protruding from the ground like headstones in a graveyard. 

 “I’m super proud of it. It’s what I dreamed about, being around other artists,” said Allen, who will soon celebrate his 75th birthday and, in a few years, the Chicken Farm’s 50th. “But it wasn’t me that built the art center. It’s a whole lot of good friends. It’s my wife and Jerry, all the artists that are here, and all the artists that have come through here. Would I do it again? In a moment.” 

He laughed, then added, “Maybe.” 

  

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